The Cabinet of Dr. Caligari

The essay is a critique of the word-painting CRITIQUE OF THE locker OF DR. CALIGARI         The storage locker of Dr. Caligari was written by Hans Janowitz and Carl Mayer, and directed by Robert Weine. It was produced in 1919 by Erich Pommer for Decla-Bioscop. 1919 was a division in which the movie industry was transformed into a fiend industry. Although the movie was produced in 1919, it was not released in the United States until 1921. A time when lead makers were out to prove that film was thusly art. In the course of study 1921 525 films were released out of those 525, 50 still exist today, virtuoso of those 50 is The storage locker of Dr. Caligari. At the time of its release in America, abuse films were virtually unheard of because filmakers felt that the subject matter was hear slight or regular repulsive, not to mention uncontrollable to adjust to the silent screen. The first aversion film on record was Frankenstein in 1910. Elements from F rankenstein are perspicuous in The Cabinet of Dr. Caligari. When the demonic somnambulist Cesare creeps into Lil Dagovers bedchamber, director Robert Wiene was exploiting a worship common to us all. Prone and sleeping the woman is uttlerly help little. She is carried rack up into the expressionist labyrinth that Wiene used to symbolize the darkest torments of the human intellect and soul.

A beautiful woman is carried off by evil, a hunt down on the Beauty and the Beast themes that would extend so usual in horror films. Used expressionism, films that explored dream, nightmare and psyche and that found their narrative shape determ ined less by action than emotion. Used angu! lar sets and heavy shadows to fuck off a macabre and horrific atmosphere for its tale of clear up and madness. The Cabinet of Dr. Caligari intentionally uses sets that look artificial. If you want to get a wide of the mark essay, order it on our website: BestEssayCheap.com

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