Ever since Ive known the Japanese serviceman who sits on the bulging surface of my teapot, he has yet to make a move. He has never savoured the hand of the woman who is forever out of reach. undynamic colours, like those of an emptied , poured out sun, eternally unrealize the slopes of that hill. And the whole scene observes a result of sorrow- a sorrow more faithful than the champion that right now fills, without filling, the hollowness of my weary hours. In this reflectivity by the Portuguese poet Pessoa we are introduced to the supposition of a instant being keep up ined, forever frozen in magazine. This notion of containment and the adversary to the nature of this force is an ideal lens through with(predicate) which we power examine Keatss Ode on a Grecian Urn and Stevens narrative of the daze. Through the physical exertion of similar iconography, even integrity seen on a teapot, the moment is not only contained unless sustained. Pessoa describes how fin e art can continually represent what time dissipates so that we dexterity further our appreciation of an occasion or situation which in itself is too ephemeral, or too emotionally demanding when directly experienced, to go out for detailed interpretation.
These works by Keats and Stevens differ in several(prenominal) areas: style, tone, meter and content and yet twain are inextricably linked in that they two hold or contain images in time through the use of a man made object. Importantly the objects in both poems are forms of containers. The genuinely nature of a container proposes the idea of restraint. A con tainer keeps things- keeps things in and kee! ps things out, and its raison detre is to value matters from decay. Containers, then are always emblematic of struggle - the support to be released versus the desire to... If you want to dismay a full essay, order it on our website:
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